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If you are reading this for the first time now, it is too late to apply for this year.

Student Project Ideas for Google Summer of Code 2020

This page lists the suggested projects for students working on Mixxx as part of Google Summer of Code 2020. Each of these projects represents something that we think would make a really big difference to our users and that we as a development team are really excited about. If you are interested in applying to GSoC, read GSoC Advice before applying or getting involved.

A GSoC application that simply repeats the project description will NOT be accepted. We expect you to think about the feature and how it aligns with Mixxx's goals, describe potential use cases and propose a plan for implementing a solution. Only students that are active members of the Mixxx community are accepted. If this is not the case yet, just say hello at and discuss your Ideas and use cases with us.

AutoDJ Improvements

Users have proposed many ideas for improving AutoDJ. Many users have suggested features to make it easier to plan the timing when tracks will play in AutoDJ:

Users have suggested ways to make AutoDJ more intuitive to use:

There have also been suggestions for alternate ways to have AutoDJ mix the tracks:

Measures, Downbeats, Bars and Phrases

Mixxx uses information about the tempo and location of beats for many features including sync, looping, and quantize cue points.

For a smooth transition between tracks it is also required to sync the bars, the first beat in a measure. Currently the DJ counts the beats 1 2 3 4 and places the CUE at such a beat 1 (downbeat) of the incoming track by listening to the track in headphones. Now he can count the playing track and hit play at beat 1. Mixxx can help and adjust this exactly to the desired beat, but unfortunately not more. See: video tutorial

Most tracks have a 4/4 measure but Mixxx should also allow less common measures like 3/4 or 7/8. This would be major benefit compared to other DJ software that assumes that all music has a 4/4 measure, which is incorrect for lots of music.

The project might be extended towards a sync feature using this new info or into a feature that auto detect bars and phases.

A strong application will list some specific tracks with different time signatures that will be used for testing the new features. Students with backgrounds in music theory and/or playing percussion instruments are encouraged to apply for this project, but these are not requirements and we welcome your application if you do not have that experience.

Saved Hotcue Routines ("Flips")

Cue point juggling, sliding faders and playing with effects can be quite difficult if you want to do it all at once. This can be mitigated by allowing to pre-record your hotcue jumps, so that they will be triggered automatically when a certain track position is reached. Serato DJ Pro calls this feature "Serato Flip" - here's an example where you can see it in action.

This project's scope includes implementing the data structures and Mixxx Controls necessary to save these kinds of edits, adding support to Mixxx' engine code and designing a GUI for recording them.

Related Launchpad Issue:

Syncing with external clocks

It can be fun to go beyond pure DJing - you can produce your own live music and incorporating it into your sets. To be able to do this seamlessly and keep in sync with the other audio sources, a lot of hardware like drum machines, grooveboxes, etc. support syncing from/to external clocks. Some DJ Controllers even have an integrated drum computer (e.g. the [Roland DJ-505]) that can be synced to the currently playing track. However, Mixxx currently does not support clock I/O.

In this project you should integrate support for syncing to different clock sources and targets. This should be implemented in a generic way, so that Mixxx is able to support different protocols. Building upon this, support MIDI beat clock I/O and Ableton Link should be implemented.

Related Launchpad issue:

Changing Tempo Tracks

Currently, Mixxx assumes either that tracks have a constant tempo for their entire duration or always changing tempo. The first option works nice for most electronic tracks, because it creates a reliable beat grid, even if some beats are not detected. It fails for hand made track where a drummer has no crystal clock in his head. In this case the second approach works better. But if you try to sync an other track to the hand made track it is yowling because it tries to exactly follow the drummer.

In this project you should find an approach that is able to iron out a small beat jitter of hand made tracks, but follow major tempo changes. It should be also be aware of breaks and britches and other difficult to detect elements.

One way to approach this would be to mark sections with changing tempos by special markers. For example, this video tutorial demonstrates how Serato DJ handles this.

The analyzer that Mixxx uses provides the exact locations of each beat. This might be used to automatically guess whether to treat a part of a track as a constant tempo or changing tempo.

A strong application will list some specific tracks with changing tempos that will be used for testing the new features. These should include both tracks played by live musicians and tracks produced on a grid in a computer. Also, the application should propose how the new information available in the beat grid could be edited by users in a fast, intuitive way. Students with backgrounds in music theory and/or playing percussion instruments are encouraged to apply for this project, but these are not requirements and we welcome your application if you do not have that experience.

MusicBrainz Integration

Mixxx uses AcoustID to identify tracks by fingerprinting their audio data. Subsequently the results are used to query the MusicBrainz database for metdata about the identified track. Currently we don't utilize the full potential that the MusicBrainz database is providing. We are reading just a few track properties to complement missing metadata.

MusicBrainz IDs

All entities in the MusicBrainz database are identified by UUIDs. These UUIDs could be used for various purposes:

  • Detecting exact duplicates or variants of a track independent of the actual audio encoding. Use Case: When migrating your files from lower quality MP3 to higher quality FLAC encoding, obsolete MP3 files could be identified based on their IDs and proposed for removal.
  • Relocating a track after it has been moved. Identifying tracks by their IDs will be much more reliable than by a combination of some properties. Use Case: You reorganize your files using a tool like Beets and don't want to lose all your carefully crafted crate/playlist/history contents when Mixxx is not able to asscociate your tracks in the library with the new file locations.

We recently implemented the import/export of MusicBrainz IDs according to the Picard Tag Mapping proposal. The next step is extending the MusicBrainz client for retrieving and the Mixxx database and storing those IDs. Afterwards your proposed features can be added based on these IDs.

Retrieval of UUIDs and a new network communication layer is ready: PR #2522.

Aux Tracks

Currently Mixxx is able to play tracks from any other source like CD or Record Players, or other desktop Applications. Unfortunately the only visualization is a VU-Meter.

In this project, there should be some more features of the normal Decks become available for the Aux input as well. These are first of all BPM and Beat detection, waveform analysis loops and more.

This project may also streamline the setup to use the system sound as Aux input. This is currently tricky depending on the used OS and sound API.

Transition Effects

Currently effects are basically applied to one channel only. If you like to use them for transitions, you have to controls more than one knob at a time. It would be nice to make effect transitions as easy as cross fading.

During this project you need to define and implement an extensible way to control transition effects with a single knob.

A simple example is a “EQ transition” The EQ knobs are used to avoid to much bass during long cross fades. Currently the DJ has to turn various EQ knobs play/pause and the cross fader simultaneously.

Once this project is implemented the DJ should only select “EQ transition” and move the cross fader.

Something Else!

As always with Summer of Code, you aren't limited to the suggestions we've made here. If you've got a great idea for a project involving Mixxx then we're looking forward to hearing about it. We recommend spending more than a few days using Mixxx and participating in the community to develop a better understanding of areas where Mixxx could use improvement. Our bug tracker is full of wishlist bugs and other ideas scattered throughout, so if you browse through it, you may find many more ideas for GSoC projects.

IMPORTANT: You should contact us first to get feedback if you're going to submit a proposal for your own project idea! We very rarely approve ideas students propose. If you're not already experienced with DJ equipment, we recommend sticking with one of the ideas above.

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gsoc2020ideas.txt · Last modified: 2020/03/29 16:56 by